Mein Schiff 2 Floats Out at Meyer Turku

Mein Schiff 2

The Mein Schiff 2 touched water for the first time today at the Meyer Werft shipyard ahead of her 2019 delivery.

Delivery is set for spring 2019, and Meyer Turku said in a statement that the “timetable for the construction of the ship shows how Turku shipyard has already been ramping up the production volume to meet the increasing demands from the order book.”

“Our block production capacity is already up on the level with a previous high from 2010, when the shipyard was building Allure of the Seas. Ramping up the production at the same time as we are implementing an investment program of 200 million euros has not been a simple task. Still, as the saying at the shipyard says, if it was simple, anybody could do it and that would not be good either,” said CEO Jan Meyer, in a written statement.

The float out of New Mein Schiff 2 marks the beginning of the final stage of the ship’s construction. After the weekend she will be berthed at the outfitting pier of the shipyard, where she will be finalized for delivery.

“Our new Mein Schiff 1 has successfully completed her first cruises and has been very well received by our guests. Our new generation of ships meets our expectations completely. We are looking very much forward to taking with new Mein Schiff 2 a sister ship into service very soon,” added Wybcke Meier, CEO of TUI Cruises

Collective Planning Puzzle

Ovation of the Seas will split her deployment between Australia and Alaska

This year will be a big year for Royal Caribbean Cruises with Royal Caribbean International and Celebrity Cruises introducing new ships. The new ships in turn are the primary drivers generating itinerary changes throughout the fleets, according to Chris Allen, vice president, deployment and itinerary planning, Royal Caribbean Cruises.

Celebrity will be introducing the new Celebrity Edge this fall, sailing seven-day cruises from Port Everglades for the winter season, and Royal Caribbean will introduce the Symphony of the Seas with a summer Mediterranean season.

Royal Caribbean and Celebrity have already announced a large percentage of their deployment over the next two years and by March or April are expecting to have most if not all of their itineraries open for sale through April 2020.

“One big story is the variety of Oasis-class homeports and ports of call,” Allen said. The Symphony enters service this spring and will sail seven-day cruises from Barcelona and Civitavecchia, before moving to Miami for year-round alternating seven-day Eastern and Western Caribbean cruises.

In 2019, when the Oasis goes to the Mediterranean for the summer, the Harmony will move from Port Everglades to Port Canaveral. In addition, the Allure; which is in Miami for the 2018-2019 winter, goes back to Port Everglades; and the Oasis goes to Miami in the fall.

Another headliner for 2019 will be the Ovation going to Alaska from Australia via Hawaii to Vancouver before homeporting in Seattle, where she is replacing the Explorer of the Seas.

“Sailing alongside the Radiance, hardware-wise I think we will have the most interesting ships in Alaska,” Allen noted. “It will also be the first time we have two Quantum-class ships in North America with the Anthem of the Seas on the East Coast.”

While the cruise fleet is growing, many ports are expanding too and new ports have come online, according to Allen, who said it was important to partner with destinations to develop them for the long term, making sure the brands have great destinations to call at.

“We develop itineraries for each brand reflecting their strategic vision; the itineraries must fit what the brands represent and must appeal to the sourcing markets,” he explained.

“We look at guest feedback, the attractiveness of destinations, trends, what is popular, what is not, marketability, and then balance that vs. the cost side, fuel and port costs.

“The beauty of our industry is that compared to hotels, we can move ships and maximize the appeal of the ships and their profitability.

“This formula works and has not changed at the macro level although the input is constantly changing, such as fuel costs and regulations.”

He said that itinerary planning is a big puzzle that the company is always trying to optimize. “We have a small team here that works very hard. The deployments we have are some of the most important decisions we make as a company, it impacts everything we do – it is imperative that we get things right.  We have some very smart and dedicated people on our team, but we rely on the collective knowledge and partnering across the company, with the brands, but also all the other areas and with all the destinations, tour operators, ports and governments around the world.  It really takes a collective effort to put the puzzle together.”

RCCL follows up stellar 2017 with an even bigger Wave

Royal Caribbean Cruises Ltd., in the first public indication of how the cruise industry’s Wave season is going, said that it is unfolding well, with consumer demand strong, particularly from North America.

“The critical Wave period is upon us and is off to a very good start, with booking trends above the same time last year,” RCCL CFO Jason Liberty said during the company’s fourth-quarter earnings call. “Booking volumes exceeded prior year’s levels for the past three months and we are once again turning the year in a record booked position.”

Liberty added, “Last year’s Wave season was incredibly strong, so we are encouraged that bookings are trending even higher this year. As a result, we are booked ahead of last year on both load factor and rate.

“The strength in demand we’ve been seeing for the last couple of months has been particularly evident in North America, with bookings up nicely for sailings on both sides of the Atlantic.”

RCCL’s net income for 2017 was $1.63 billion, up from $1.28 billion in 2016, while revenue advanced to $8.8 billion from $8.5 billion.

For 2018, the initial forecast calls for net income in the range of $1.83 billion to $1.88 billion.