Regent orders new ship, touts it as most luxurious in cruising

Regent orders new ship, touts it as most luxurious in cruising

By Jerry Limone
Regent Seven Seas Cruises has ordered a new ship, a 738-passenger vessel that will be called the Seven Seas Explorer.

Scheduled for delivery in the summer of 2016, the Explorer will be Regent Seven Seas’ first new ship since the Seven Seas Voyager made its debut in 2003. It will also be the cruise line’s largest ship, at 54,000 gross tons. The ship will be constructed by Italian shipbuilder Fincantieri for about $450 million, Regent said.

“We strongly believe that now is the right time to expand our fleet, as our loyal guests have asked for a greater array of itineraries and our travel partners have proven that there is pent-up demand for a new Regent ship,” said Kunal Kamlani, Regent Seven Seas’ CEO.

Regent Seven Seas is touting the Explorer as “the most luxurious cruise ship in the era of modern cruising.”

Tillberg Design AB, RTKL Associates and ICrave are designing the all-suite ship. Suites will range in size from 300 square feet to 1,500 square feet, and each will have a balcony. The ship will have six open-seating restaurants, Regent’s signature nine-deck atrium, a two-story Explorer Theater, three boutiques and a large Canyon Ranch spa.

Frank Del Rio, CEO of Regent Seven Seas parent company Prestige Cruise Holdings, said the Explorer will “boast one of the highest space ratios and staff-to-guest ratios ever seen in the modern era of cruising.”

“The ship’s upscale yet timeless design, extreme use of exotic stones and polished woods, designer furniture, rich fabrics and sophisticated lighting combined with what promises to be a museum-quality, eclectic art collection will clearly position Seven Seas Explorer as the new standard in luxury cruising,” Del Rio said.

Carnival Sunshine metamorphosis was ambitious and complicated

Carnival Sunshine metamorphosis was ambitious and complicated

By Tom Stieghorst
Carnival Sunshine VeniceThe teens are such an awkward age.

Cruise lines, having gone on a building spree in the 1990s, now find themselves with a generation of ships that are too young to scrap but too old to be fully competitive with the latest newbuilds.

One solution to that dilemma emerged last month from the Fincantieri shipyard in Italy, where Carnival Cruise Lines sent its 17-year-old Carnival Destiny to be rejuvenated.

After more than two months in drydock, what emerged was a ship so transformed that it had to be given a new name: Carnival Sunshine.

Since May 5, the freshly scrubbed 101,000-ton ship has been doing nine- and 12-day cruises in the Mediterranean. In November, it will transition to its year-round home in New Orleans.

The $155 million makeover was the industry’s most ambitious in more than a decade. It involved 3,000 workers putting in 2 million hours of round-the-clock labor, first to demolish much of the old ship, then to fit it with all the features of Carnival’s Funship 2.0 package.

“This is the most aggressive refit ever attempted in our industry,” Christian Compton, Carnival’s project director for conversion, said in a video documenting the 73-day project.

Complicating the agenda and extending the length of the drydock was Carnival’s decision in March to add $300 million of contingent power and other upgrades fleetwide to make its ships more reliable. Because it was already in drydock, Sunshine was one of the first two ships to get the upgrade.

That added 24 days to its stay in Monfalcone, Italy, and required Carnival to cancel two initial cruises. The Sunshine also came out of the drydock with several of its signature features incomplete and a group of cabins that needed further work to be ready.

On the June 7 cruise, a small number of passengers were bumped and their cabins turned over to contractors who were still finishing parts of the ship. Carnival gave the displaced passengers full refunds and an additional free cruise.

Carnival spokesman Vance Gulliksen said the enhancements complicated what was an already ambitious time frame.

“Needless to say, there were some start-up issues which have largely been resolved,” Gulliksen said.

The Carnival Sunshine is not entirely new. The hull and much of the technical equipment are left over from the Destiny, the world’s largest cruise ship when it was delivered in 1996. But its public spaces have been brought into the 21st century.

Since the Destiny debuted, alternate dining venues have mushroomed on cruise ships everywhere. A notable change to Sunshine is the lineup of new bars and restaurants.

Full-service alternates to the main dining room include Asian, Mexican, Italian and steakhouse offerings. Passengers can also visit a shake shack, a 24-hour pizzeria, a burger joint and a coffee-and-pastries shop.

Dinner at the Fahrenheit 555 steakhouse is $35. Charges at the other venues vary, with some charging for dinner but not for lunch.

The expanded bar lineup includes the RedFrog Pub and its poolside adaptation, the RedFrog Rum Bar; the Blue Iguana tequila bar; the Latin-themed Havana Bar; the EA Sports Bar; the cozy Library Bar; and the Alchemy Bar, which specializes in trendy “molecular” cocktails.

Many of these have been retrofitted onto other, older Carnival ships, but the Sunshine is the first vessel to have all of them together.

The Sunshine also boasts Carnival’s first three-deck version of the adults-only Serenity area, which offers parents and childless guests a place to retreat to for a break from the kids. Carnival introduced the Serenity area to its ships in 2007, 10 years after Carnival Destiny’s debut.

Carnival Sunshine SerenityAnother big change in cruise ship design since then has been extra emphasis on sports. The upper deck of Carnival Sunshine is crowded with courts, courses and table games, including pool, ping-pong and foosball.

The water entertainment is also more highly engineered than it was back in the Destiny’s early days. The Sunshine includes an expansive water park with 40 interactive features, a gigantic drenching bucket, five different slides including the new racing-themed Speedway Splash, and a 334-foot-long Twister slide, the longest on any Carnival ship.

In addition to the public spaces, Carnival also raised the capacity of Sunshine, bumping it from 2,642 to 3,006 by putting another 182 cabins onto the ship.

By making the Destiny over, Carnival not only brought many of its newbuild features to an older ship but did so at about a quarter of the price it would have paid to build a new, 3,000-passenger ship.

One unanswered question is whether this is a model for the future or a one-off project. The largest previous refit in recent times was the 2005 stretching of Royal Caribbean International’s Enchantment of the Seas, which added a 74-foot segment and 151 staterooms to its midsection, after cutting the ship in half. Although the $60 million project was seen as successful, Royal did not repeat it.

Carnival has several ships in the Destiny class, including the Victory and Triumph, which received much unfavorable publicity after its February engine fire. Several cruise observers, including social media commentator Lin Humphries, have suggested that an overhaul and renaming of the Triumph could retire a “tarnished name.”

Asked about a possible overhaul of other Destiny-class ships, Gulliksen said, “At this point, there have been no announcements of any large-scale refurb projects.”

Travel agents in New Orleans, where the ship will take up residence in November, said they are seeing interest in the ship.

Bob Wall, owner of Vacations at Sea, said he had not done much in the past month to promote the Sunshine because of the issues surrounding the Carnival Triumph, but he has nonetheless sold one or two cruises.
“We think it will do well here,” he said.

Pat Daly of Cruise & Vacation Specialists in Metairie, La., said, “Most of the people here are very familiar with Carnival. They’re pretty excited that we’ll have a new ship.”

P&O Cruises has designs on Britain’s biggest and best cruise ship

Special Report: P&O Cruises has designs on Britain’s biggest and best cruise ship

By Lee Hayhurst

A London-based agency behind some of the world’s most iconic hotels will oversee the cruise line’s new superliner. Lee Hayhurst found out more at last week’s keel laying in Italy

P&O Cruises has broken with tradition and employed a single design team from outside the cruise industry to oversee the development of its next ship.

The UK’s leading cruise operator said its decision to appoint London-based Richmond, a design agency for hotels, reflected its desire to come up with a new concept for a cruise ship.

Traditionally, separate design teams are allocated specific areas of ships, but P&O said it wanted to ensure the as-yet unnamed ship has a better flow.

Carol Marlow, managing director of P&O Cruises, said she had used hotel designers when she worked for Swan Hellenic to create a country club feel.

P&O Cruises is aiming for a contemporary British feel for its new 3,600-passenger ship, the biggest ever built for the UK market and due to enter service in 2015.

Richmond, which has 45 years’ experience of designing hotels, has worked on properties including Four Seasons Baku, InterContinental Park Lane and Langham hotels in London and Chicago.

Richmond’s introduction to cruise came when its spa at the Four Seasons in Hampshire was spotted by a Carnival executive and it was asked to design the spa for Princess Cruises’ Royal Princess.

“We wanted a design very much with British people in mind who have never been on a cruise before,” said Marlow.

“We hope this ship will bring in these types of people. British tastes are moving forward and we are trying to anticipate the future.”

An agent’s view

Leading agency Bolsover Cruise Club will keep its customers up to date on progress through its own blog on its recently relaunched website.

Marketing assistant Katie Anderson, who was attending her first keel laying, said clients will be sent e-shots, including blog posts, to build anticipation.

“We are already getting good engagement on our blog and have been focusing on our existing database but we have noticed a lot more new-to-cruise customers as well.”

 

We’ll be introducing British style, says ship’s architect

Compared to designing and building hotels, cruise ships like P&O Cruises’ new vessel are built at an incredibly fast rate, chief architect Terry McGillicuddy said.

The enormous drydock in the Fincantieri shipyard near Trieste was largely empty after the keel laying last week apart from the 500-ton chunk of metal that was ceremoniously lowered in. But within just two years, the ship will be cruising the world’s oceans.

“Very rarely can we get a hotel finished in two years, it’s usually four or five,” said McGillicuddy, director of London-based design agency Richmond.

“A ship is a huge build. There are a lot of food, beverage and entertainment areas that a hotel does not have.

“P&O was looking for overall designs throughout the ship to be up to date, and different from ships they have now that have rooms that are individually designed and do not really flow.

“The fact we are a British firm was really important; we will be introducing some British style.”

McGillicuddy said most of the initial design work was completed, with only details of the open deck area to be finalised.

P&O Cruises will be releasing details to build interest in the ship as construction continues.