Cruise lines hone hashtag marketing for new ships

“About to sail on the magnificent #regalprincess WYWH” — @mickyarison, Nov. 5, Twitter,l

FORT LAUDERDALE — The day before the Regal Princess naming ceremony, the excitement that accompanies a ship’s inaugural was starting to build. As guests of Princess Cruises stepped off the gangway and into the atrium, they began greeting friends, taking in the sights and sounds and pulling out their cellphones for a few selfies and snaps of the atrium.

Regal Princess/TwitterFor many, the resulting Instagram/Twitter/Facebook post was finished off with the hashtag #regalprincess.

At a table on the atrium’s first deck were two passengers with laptops out. One was Sara Dunaj, Princess Cruises’ social media manager. The other was Simon Duvall, also known as@simontravels and the host of #CruiseChat, a weekly Twitter chat about cruising.

“The Regal Princess hashtag,” he said, “is about to blow up tomorrow.”

A few years ago, with the advent of live Web streaming, consumers and agents could witness in real time the special events surrounding a ship launch: the entertainment, the CEO and captain making speeches, the bottle-breaking and the streamers flying.

But today, launching a new ship is a social media conversation, begun years before the vessel actually hits the open seas. A cruise line will begin using a hashtag — #regalprincess or #quantumoftheseas, to name the two most recently christened ships — and then seed social media with posts about the construction progress, itineraries and onboard innovations. Bloggers and social media influencers, not to mention the traditional news and trade media and everyday cruise fans, will pick up on the posts and rebroadcast them to their own friends and followers.

The result, cruise executives say, is a boon in terms of marketing for the ship and the brand. The resulting pins or posts, meanwhile, are marketing that will live on as cruisers contemplate a cruise on the #carnivalbreeze or #norwegiangetaway.

“I think at this point, social is … one of the most important elements of marketing a new ship launch,” said Gordon Ho, Princess’ chief marketing officer. “So in terms of magnitude, we spend so much time thinking about how our ship launch and marketing activities are going to be social.”

“Heading to NY to rejoin #norwegianbreakaway. Anything you haven’t seen yet that you’d like a picture of?” — @nclandy, May 6, 2013, Twitter

Norwegian Breakaway/InstagramSocial media “has become a critical aspect of telling a story of a new ship to consumers, to trade,” said Andy Stuart, Norwegian Cruise Line’s executive vice president of global sales and passenger services. “It’s expected. And it’s an opportunity to engage with a much broader audience in different ways and across different platforms.”

Norwegian took advantage of the siren call of social media in a big way when it debuted the Norwegian Breakaway in New York in May 2013. The line opened up the WiFi networks so they were complimentary to guests, and it invited nontraditional media to the ceremony — “people only telling the story through social media,” Stuart said.

A week after the ceremony, Norwegian and its communications partner, MTN, said that the line had set a “new record” for social media usage at sea during the inaugural events in New York from May 8 to 12.

“The result generated more than 429,755 Facebook visits over the five-day period, and Instagram registered more than 56,862 visits and 1,715 pictures uploaded with the hashtag #NorwegianBreakaway,” the companies said. “Guests utilized Twitter onboard, and as a result, Norwegian received a record number of mentions and retweets about the content shared from Norwegian Breakaway.”

Duvall said he considered the Breakaway to have been the first big-ship launch to embrace the social media and blogger community by inviting social media influencers onboard and promoting the #norwegianbreakaway hashtag.

“Oasis and Allure of the Seas were the beginning,” he said. “It wasn’t such a critical piece of it back then. It was the beginning of the trend.”

A suddenly dominant tool

MSC Divina/TwitterIf the Oasis of the Seas and Allure of the Seas, in 2009 and 2010 respectively, were the beginning of the trend, there were several subsequent ship launches, such as from Celebrity or Disney, that showed up on major platforms like Twitter, Facebook, Instagram, YouTube and Pinterest. On the rivers, attendees at the multiship inaugural for Viking Cruises tapped out observations on their phones using the term #vikingchristening.

In June 2012 for the Carnival Breeze launch, Carnival Cruise Lines teamed up with cruise newbie and former “American Idol” contestant Janell Wheeler, who documented a trip to see the ship fresh from the yard on Facebook, Twitter, Pinterest and YouTube.

Flash forward to November 2014: Media interested in attending the Quantum of the Seas’ inaugural cruises in New York last weekend were asked to provide their Twitter handles as part of the preregistration process.

“Our #FiatAtSea campaign is one way we generated buzz to launch #MSCDivina”–@KenMuskat #CSM2014 #cruisemkt” — MSCCruisesUSA, March 11, Twitter

For its introduction of the MSC Divina to the U.S. market last fall, the MSC Cruises team saw big results from a social media campaign: It loaded a bright red Fiat 500 onto the Divina and tracked the car and the ship as they made their way from Italy to Florida.

Every day, the ship’s photographer took a picture of the port — Malta, St. Thomas — then sent the pictures out on MSC’s Facebook page and on Twitter with the hashtag #fiatatsea. When the Divina entered Miami, it was escorted by a fleet of specially equipped Fiat 500 watercraft cars, with the hashtag emblazoned on the side, that appeared to drive on the water’s surface — a photo perfect for sharing.

“We got so many people talking about us,” said Ken Muskat, executive vice president of sales, public relations and guest services for MSC in the U.S.

Five bloggers were invited the day before the Divina’s arrival. The day of the inaugural there was a social media meet-up onboard with a stream of live tweets that ended in fireworks (the fireworks photos went viral, Muskat said). Free WiFi was provided for agents and other guests onboard to share their thoughts and photos.

Royal Caribbean Dashboard Quantum of the SeasFrom Nov. 12 through 23, 2013, the period surrounding the ship’s arrival, MSC said the hashtag #mscdivina generated 5,585 tweets and 1.5 million impressions on Twitter. Overall that month, the likes and followers of the line’s Facebook and Twitter pages grew 10%.

With an inaugural cruise a brand can only carry as many press, agents and guests as the berths can hold. But Muskat said social outreach is a way to build buzz and reach a global audience in real time. Muskat, a self-proclaimed Twitter addict, said the platform enables him to have a personal relationship with agents.

“And then there’s the crew,” he added. “They were the first ones tweeting.”

“The Love Boat cast is naming #RegalPrincess today! RT if you’re dreaming of ‘love, exciting and new!'” — @princesscruises, Nov. 6, Twitter

Last week, as the Regal Princess was counting down to its naming ceremony with the cast of “The Love Boat” and VIP celebrities from the show, the tweets and Instagram posts started flying fast and furious, right down to the posts about getting ready to board and pictures of the ship in Port Everglades.

Selfies with “The Love Boat” cast. Photos of the cabins. The atrium. The spa. The ceremony itself, followed by the fireworks.

Once the ship left port on a short preview cruise, the tweets and photos switched to the sail-away and a day trip to Princess Cays. More food, onboard entertainment, then regretful goodbyes — an entire cruise to be lived vicariously through social media.

One of Princess’ social media goals, Ho said, was to create “stories that are sharable;” for example, the cast of “The Love Boat,” who together named the Regal Princess, or the line’s new Chocolate Journeys program with chocolatier Norman Love.

“Inherently, chocolate is something that can be shared abundantly,” he said.

(I recalled my brief trip to the Regal Princess: Crew had passed out a complimentary cabernet-and-chocolate pairing, and I had instantly — automatically? — snapped a picture of my wine glass and chocolate and shared it via Twitter.)

A versatile social toolbox

Carnival Breeze/YouTubeEach platform offers a slightly different tool.

“On Facebook, we’ve been focusing on imagery, because it’s such an image-driven thing these days,” Princess’ Dunaj said. “On Twitter, we’re able to do a lot more live activity, so that’s where we’re doing the live tweeting of the event.” Instagram, of course, is “entirely visual,” and the line created a series of videos to drive buzz for the Regal on YouTube.

A hashtag’s activity can be measured by several metrics, including impressions, which means, roughly, the number of times a tweet with a hashtag could have been seen by a person with a Twitter account. Princess Cruises, for example, has 73,300 followers on Twitter, so each time @princesscruises tweets something, that tweet garners 73,300 impressions. On a busy hashtag, it doesn’t take long for the impressions number to reach into the millions.

Princess said last week that using analytics that enabled it to search for “#regalprincess,” “Regal Princess” or “The Love Boat,” from Nov. 4 through Nov. 11 it recorded more than 83 million Twitter impressions. More than 850 photos were hashtagged #regalprincess.

Companies are measuring social media returns on a more long-term basis — not just one hashtag but several iterations, and not just the hashtags but also what the tweets say.

This enables them not only to respond quickly to a problem or “like” a compliment but also to tailor and refine content to what users want to see.

“I’ll be on it on the 18th! YAY!” — Chris Voegele, Nov. 7, Facebook

“Only a few more days of anticipation, Chris! How excited are you to join us onboard?” — Royal Caribbean International

The Quantum of the Seas has been billed as the most highly anticipated new ship of the year, so it’s not surprising to see a flood of information showing up as a constant stream on the social media “dashboard” on Royal’s public relations site.

“It’s been four years since we launched a new ship, and the whole online landscape has changed,” said Tracy Quan, Royal Caribbean’s associate vice president of global corporate communications.

“Right from the very beginning, we knew we had to do it differently than just doing traditional launches; we knew we had to leverage all the social channels out there.”

Royal, which has also refined the art of the “reveal” — i.e., producing a splashy event to draw attention to new facilities or programs onboard — incorporated social media. For example, company President Adam Goldstein co-hosted a Google Hangout to coincide with the reveal of its Dynamic Dining program (aka #dynamicdining on #quantumoftheseas).

Quantum of the Seas/FacebookFor travel agents, in addition to being able to repost, repin or retweet Royal’s public posts, Royal said there have been daily Quantum-related posts on the Facebook page of Vicki Freed, the senior vice president of sales and trade support and service, and Freed conducted a Facebook chat with travel partners earlier this month.

It also houses social media sample copy and images on its LoyalToYouAlways.com trade site for agents to share with clients. A Facebook campaign for the trade is forthcoming.

The line has refined some of its early strategies from the Oasis and Allure debut. For example, on the Quantum debut it’s partnering with “experience advisors” outside of the travel industry to extend its reach, such as Michael Schwartz of the Michael’s Genuine gastropub on culinary (4,000-plus Instagram followers, to use one statistic), former NFL linebacker Dhani Jones on sports and fitness (75,000 followers on Twitter) and HGTV personality Genevieve Gorder on cabin decor (70,000 likes on Facebook).

“It’s not about who we know; it’s about who they know, who they reach,” Quan said. “So they can just amplify. … In our bid to always try to expand our audience reach, we want to be able to speak to new-to-cruisers.”

It has also continued to post making-the-ship videos to YouTube, but the company has been publishing shorter videos, which Quan said was more in line with viewer preferences today.

On Royal Caribbean International’s YouTube channel, a video about the robotic bartender in the Quantum’s Bionic Bar had been viewed nearly 10,000 times as of last week; a video titled “All New Technology Onboard Smartship Quantum of the Seas” posted in August has been viewed more than 42,000 times.

Quan said the videos serve two purposes: to satisfy media and consumers who are hungry for new content and also to serve as story ideas.

Viking Cruises/Pinterest“If we talk about the behind-the-scenes on the making of the Bionic Bar, we get media who wouldn’t typically cover us, like the tech media, approaching it,” she said. “How did we come up with the concept? How did we come up with the development?”

And of course, during the ship launch this weekend the line threw down the barriers to the wireless network to enable all who sailed onboard to Facebook, Instagram, tweet, Vine and pin to their hearts’ content.

Halo effect

Stewart Chiron, aka the Cruise Guy (@cruiseguy) and the owner of Leisure Pros, was one of the social media aficionados fresh off the #regalprincess who last week was readying for #quantumoftheseas.

“Social media is so vitally important to businesses today to get your messages out and communicate with people,” he said. The Quantum, he said, “is going to have a halo effect. It is going to be able to showcase what cruising is all about.”

J.D. Andrews, a travel videographer and photographer who goes by @earthxplorer, said that when he’s onboard, he “constantly” posts on Twitter, Instagram and Facebook with his phone (and shares more “professional” photography on his website, earthxplorer.com, when he gets home). He doesn’t have a minimum or maximum number of posts or a concrete plan. “The only ‘plan’ I’ve ever had is to share my adventure, the things that I find fun and interesting,” he wrote in an email.

Andrews, who said he had been using social media since 2007, said he loved the interaction with followers: “they can ask me questions in the moment, and if I don’t know it’s easy enough to find them the answer.”

He said he thought that change has come to the cruise industry. “It seems that, finally, each cruise line has come to their own ‘tipping point,’ either by necessity or trying to keep up with their competition, and it’s about time. It’s the only way to post what your company is doing, assist in customer service and share the exciting world of travel directly to your consumer.

“And it’s free.”

Old Ships vs. New Ships: What’s in a Cruise Ship’s Age? 

 

New ships always seem to get the spotlight, touting outrageous onboard additions that strive for the consumer “wow” factor. But what about their tried-and-true fleetmates — a mix of vessels that have long since paid their dues and the hot new ships from a few years back? Sure, newer ships are often larger and more packed with diversions for every age and taste, but they can also be expensive and crowded, and as with anything new, there are sometimes bugs to be worked out. Older ships might show wear and tear, but cruise lines have been investing millions to keep their entire fleet outfitted with modern amenities and popular attractions.

To help you decide whether new is better or old is the way to go, we’ve compiled a list of elements to consider before making a choice, addressing key points like amenities and price. Check out the key contrasts below.

Ship Size

Large Ship vs. Small ShipNew: As a rule, newer vessels are larger. It makes sense: As more bells and whistles are added, more space is needed to contain them. Although ship sizes vary widely across various fleets, a number of vessels have launched in the last decade that can carry what amounts to the population of a small city. Oasis of the Seas and Allure of the Seas, the largest ships afloat, each comprise 17 decks and have room for 5,400 passengers. For purposes of comparison, Majesty of the Seas, the oldest ship in the Royal Caribbean fleet, has 12 decks and holds 2,350 passengers — less than half the capacity of the Oasis-class ships. Other lines have followed suit: Ships in Carnival’s 14-deck Dream Class each carry 3,690 passengers, and those in Norwegian’s 18-deck Breakaway Class accommodate 4,028 cruisers. You can easily get lost, though you are less likely to be alone.

Old: Old stalwarts, which are smaller in size and lighter on fanfare, offer more relaxing and intimate experiences. Sure, they still have plenty of glitz, but passengers don’t have to feel like they’re missing as many marquee activities if they choose to curl up in a lounge with a good book or veg out by the pool for half a day. Old ships are also more likely to have quieter spaces like libraries and card rooms. Smaller ships suit travelers who don’t like large crowds, have trouble traversing the long decks of the biggest ships and don’t want to think about which of the five different sun deck areas they should utilize. But watch out — some cruise lines have refurbished their older ships to add more cabins, both cutting back on available public areas and squeezing more people into the space that’s left.

Cabins

Family SuiteNew: As ships’ public areas become more glitzy and glamorous, so do their cabins. One trend we’ve seen with newer ships is an increase in the number of balcony accommodations, but although they’ve increased in number, many have also decreased in size. Take, for example, the balconies on Royal Princess and Regal Princess. Balconies on these twin ships, the newest in Princess’ fleet, average 41 square feet — smaller than those found on the line’s older ships. And the suites on new ships possess lots of wow factor, from cantilevered, glassed-in showers to Ralph Lauren décor and multiple levels of living space.

Beyond standard verandahs, cabins that specifically cater to certain groups are all the rage. From solo cabins (Norwegian Epic, Norwegian Breakaway and Norwegian Getaway; Quantum of the Seas) and two-deck suites (Oasis of the Seas, Allure of the Seas and Quantum of the Seas) to inside staterooms with virtual scenery (Disney Dream and Fantasy, Quantum of the Seas), specialty cabins have stolen the spotlight. New ships also tend to have more connecting cabins and family cabins and suites, perfect for larger travel parties.

Old: Older ships are generally the way to go if balcony space is important to you. However, you’ll have to book early; while balconies might be bigger, verandah cabins make up a smaller percentage of stateroom inventory on older ships. (Some older ships have had balcony cabins added during dry dock.) The plethora of cabin categories on newer ships might also make your head spin, so if you just want to keep it simple, consider an older ship. Carpeting and soft furnishings like curtains and bedding are upgraded frequently during refurbs; despite that, keep in mind that older ships might show signs of wear — scuffs, dings, outdated bathrooms — that newer vessels don’t.

Top-Deck Amenities

Top Deck PoolNew: For active types or adults traveling with children, newer ships offer far more in the way of outdoor fun. Norwegian’s two newest vessels, Norwegian Breakaway and Norwegian Getaway, have ropes courses that are enough to make anyone dizzy — no fear of heights required. Meanwhile, Royal Caribbean’s Oasis of the Seas and Allure of the Seas have zip lines and surf simulators, and Quantum of the Seas brings skydiving to the high seas for the first time by way of an outdoor simulator. In terms of water-based fun, Carnival offers the WaterWorks aquapark on its Dream-class vessels. The open-deck expanse is a haven for anyone who enjoys waterslides, featuring the Twister, a 303-foot-long corkscrew tube; the Drainpipe, a 104-foot tube that empties into a giant funnel; and two side-by-side racing slides.

Old: While most older ships offer mild outdoor pursuits like mini-golf, shuffleboard, Ping-Pong and possibly basketball, they’re much more low-key than newer ships. With swimming pools as their focus, they offer ideal spots for passengers to laze the days away in the sun, drinks in hand. That said, several lines have chosen to add some of the more popular upper-deck offerings to their older ships. Take Princess, for example, which has added Movies Under the Stars movie screens to most pool decks in its fleet after a successful debut on Caribbean Princess in 2004. Then there’s Carnival, which took its popular new Guy’s Burger Joint and Blue Iguana Cantina eateries and added them to the pool decks on most ships during its massive Fun Ship 2.0 upgrades. The line has also added waterslides to all ships in its fleet. For their parts, Royal Caribbean and Norwegian have installed rock climbing walls on many of their vessels.

Dining

New: Newer ships have lots of space to dedicate to dining. Sure, all vessels offer main dining rooms, but new concepts like Royal Caribbean’s Dynamic Dining (where there’s no set main dining room and cruisers can choose from a number of free and for-fee options) and Carnival’sAmerican Table (a revised list of comfort-food menu items that come in larger, shareable portions) are putting a new twist on traditional dinner options. Many specialty venues have been added on newer ships, as well, and you’ll have no trouble finding everything from Italian and Asian to French and seafood, most with cover charges but some without. Some ships, like Norwegian Breakaway and Norwegian Getaway, have even added dinner theater options, which include dinner and a show for a fee. If you’ve got a sweet tooth, watch out for gelato bars and specialty cake shops enticing you to snack between meals.

Old: Older, smaller ships tend to have more limited alternative dining options. But that’s a plus for passengers who prefer to avoid the nickel-and-diming associated with for-fee eateries, or those who prefer a smaller number of venues from which to choose. While some older vessels have gotten new dining additions, most remain pleasantly bare bones.

Activities & Entertainment

best-onboard-cruise-entertainment-blue-man-groupNew: Fun pursuits abound on newer ships, and they include some pretty incredible pastimes like parades, character breakfasts, roller skating and even bumper cars. Toss in some top-notch entertainment that rivals what you’d find ashore, and you’re in for an impressive cruise. AquaTheater, aboard Royal Caribbean’s Oasis of the Seas and Allure of the Seas, features high-dive performances set against the backdrop of the ship’s wake. Additionally, the line has added Broadway shows on four of its newest ships: Quantum of the Seas (“Mamma Mia!”), Allure of the Seas (“Chicago”), Oasis of the Seas (“CATS”) and Liberty of the Seas (“Saturday Night Fever”). Norwegian has gone the same route, featuring “Legally Blonde” on Norwegian Getaway and “Rock of Ages” on sister ship Norwegian Breakaway. Other enticing options include added-fee dinner theater aboard Norwegian Getaway (Illusionarium), Norwegian Breakaway and Norwegian Epic (Cirque Dreams and Dinner). One downside to these events is that, for many of them (even if they’re free), tickets are required and can run out quickly.

Old: Entertainment aboard older ships is a bit more standard: Broadway revues, magicians, comedians and the like. However, several lines have brought their most recent offerings to older vessels. Most notably, Carnival added the Punchliner Comedy Club by George Lopez to most of its ships, in addition to “Hasbro, the Game Show,” where participants play giant versions of classic board games — like SORRY! and Connect 4 — on stage. The line also debuted its Carnival Live series of for-fee concerts aboard Carnival Fantasy and a handful of other ships in the fleet. Holland America has also livened up its entertainment across its family of vessels by adding Dancing with the Stars at Sea. Based on the popular TV show, the competition pits willing passengers against one another in a dance-off. Norwegian has plans to roll out its popular O’Sheehan’s pub (which offers free grub and for-fee arcade games) on a couple of its older vessels. Not to be outdone, Royal Caribbean has added performances by aerial acrobats to its entertainment lineup on some of its more seasoned ships.

Itineraries and Pricing

New: Because many passengers are willing pay a premium for the privilege of sailing on a newer ship, fresh-from-the-shipyard vessels are often based in the biggest markets. (Think Caribbean and Mediterranean.) The cruise lines have to fill all those thousands of berths, so you typically won’t find new ships on niche itineraries. In addition, huge ships like Oasis of the Seas are too big to dock at certain ports or sail through tight channels like the Panama Canal, so they are also constrained by their size. The combination of popular ports and a ship full of the latest innovations means cruise lines will ask top-dollar for cabins — and get it. The best cabins on these ships will also sell out more quickly than their fleetmates’. While you won’t find a lot of itinerary variety, it might not matter; many passengers would rather spend the time onboard taking in all the new attractions.

Old: Cruise lines have huge fleets these days — Carnival has more than 20 ships sailing — so the majority of their voyages are on older ships. These vessels sail every type of itinerary imaginable, from weekend cruises to multi-month round-the-world cruises. If you want to sail the islands of Hawaii or French Polynesia, ogle the scenery in Alaska or the Norwegian fjords, or head somewhere exotic like Asia or Australia, you’ll likely need an older ship. Typically, the very oldest ships in the fleet will be employed on shorter cruises from drive-to ports. These ships lend themselves perfectly to the cause, as they generally lack the extensive number of amenities that keep passengers busy during longer sailings on newer vessels. Pricing for older ships is often very itinerary dependent. An older ship sailing a well-traveled route will be lower than for a newer ship on a similar itinerary. On the flip side, exotic destinations or popular, short-season itineraries can pull in higher cabin fares.

MSC to place two-ship order

By Tom Stieghorst
MSC Cruises ship renderingSTX France has signed a letter of intent to build two 167,000-gross ton ships for MSC Cruises that would be delivered in 2017 and 2019, plus options for two more.

The long-rumored order would expand MSC’s fleet from 12 to 16 if all four ships are built.

MSC Cruises USA’s president, Rick Sasso, said at the Cruise Shipping Miami conference earlier this month that MSC was ready to increase its North American presence from a single year-round ship if an order was made.

A statement from the two companies said the contract will be binding “when the financial package is secured.”

The companies did not give a value for the order, but said the two ships would provide 16 million working hours for STX France and its subcontractors. STX France genial manager Laurent Castaing said a competitiveness agreement signed with trade unions was “decisive” in reaching the letter of intent to build the ships.

Each new ship will have 2,250 passenger cabins for a double-occupancy capacity of 4,500, but MSC put the ship’s capacity at 5,700 passengers. The ships “will be able to call in most of the ports and destinations on earth, without compromise,” MSC said,

MSC President Gianni Oronato said the ships will boast “new panoramic spaces, a bigger theater and a spectacular amusement park connected to an outdoor aqua park as well as a two-deck inside promenade.”

The MSC ships will have specially designed cabins for families and an extended Yacht Club luxury area on each vessel.

Castaing said negotiations for the ships were particularly challenging “in light of today’s global competitive landscape in the shipbuilding industry.”

The main creditor for the troubled Korean company that owns STX Europe said recently it would like to divest the European asset by June.